I spent the better part of a weekend in February sewing up this Lisette Portfolio dress. I had been searching for the pattern for awhile (it's out of print) and finally found one at a price I was willing to pay so I jumped in. Kind of. I actually made a muslin of the tunic length to make sure it would fit. It did so I started cutting the good stuff. (Side note: I traced the entire pattern using dressmakers carbon paper and a tracing wheel for the first time. Game changer! Post forthcoming...)

The fabric is a Robert Kaufman Union Chambray that has been in my stash for a few months. This fabric is gorgeous, gorgeous, gorgeous. It has lovely drape and its dark indigo color makes it casual and dressy at the same time, if you know what I mean. I made a size 16 of this simpliciy pattern (I wear a 12 in the other Liesl & Co patterns and off the rack) and didn't adjust it a bit. When I was finished, I wish I would have added length (always the story) as the hemline is a little shorter than I'd like, but live and learn.

The construction of this one is a lot of fun! It's not hard, but not the easiest, either. Like all of Liesl's patterns, it has good tips and thorough instructions the whole way through, making it a true joy to sew. My only issue is that I did catch a bit of the side seam in the serger (when will I learn?) which left two tiny holes towards the bottom of the dress. I cried. Big tears. I really did. But then I gathered my wits, took Kerry's suggestion of reinforcing them with a woven interfacing on the back side and darning them on the front. Not perfect, but Fatty assures me that it looks like a flaw in the fabric instead of an Erin-created flaw. That'll do.

The closure on the back of the neck is two vintage buttons that I received from Julie many moons ago. I have been holding on to them, waiting for the right project, and this was it. I love how they add a little surprise detail, one you don't even see if I am wearing my hair down. It's like having a little secret. And they are green, which you all know I love. Happy, happy.

I haven't had a chance to wear it out in the real world yet - stupid, never-ending winter. And while I do think it would be super cute with tights, boots and a sweater, I am so over boots for this year. I'm holding out until I can be bare-legged, but maybe not so blindingly pale as above. Oy. I need spring.

And wouldn't you know that Liesl just released an updated version of this pattern? The Cappuccino Dress and Tunic has a slightly different neckline, but otherwise has the same slimming seam construction and the really cool pockets that make this dress. She also has lengthened the dress! Win for me! It's also a pdf download so you could start sewing it now. Or after you tape the pattern together. You know what I mean. Go! Sew!

Last night, I read through all of your comments about breaking out of a creative slump for the second time. I so appreciate you sharing what works for you. Thank you! And because I know you are wondering, the winner of the giveaway, Jenny, has been contacted and I'm in the midst of pulling some goodies from my stash for her.

I took one suggestion that was repeated again and again to heart and set about sewing something familiar and easy. I started with piecing a bunch of half square triangles. I got in a groove, but still felt a little creatively stilted when I finished. Then, on Saturday, I spent the day at Quilter's Day Out, with some other members of the Louisville Modern Quilt Guild. I had volunteered to demonstrate improvisational piecing. This was the kick in the pants I needed! Play! No thinking, just doing! I left at the end of the day with 13 blocks. Although I will need more to make a quilt top, this is a good start.

Did that do the trick? Yes and no. It felt great in the moment, when I was sitting at the machine, pulling fabrics and sewing them together. However, it did not ignite some great creative urge to go and make more things. Truth be told, I am still not feeling entirely like myself at the moment. I'm trying to be gentle, lower my expectations and go with whatever making urges I have. I have a feeling that once it begins to look a little more like spring outside, I will be inspired by warmer temperatures, blooming flowers and sunny days. Here's hoping.

Do you ever hit a creative wall? You know, the kind of moment when you really want to make, but you just can't seem to get motivated to start? I'm there, friends, in some ways. I have grand ideas, but I am second guessing myself at every turn. I know I can suffer from visual stimulation overload, where I can't get past all the looking and ooh-ing and ah-ing that happens on the internet. When that happens, I freeze. I am unable to keep moving forward with my plans, with my making.

I'm curious. How do you get your creative juices flowing? What does it take for you to be in a creative state of mind? How do you prioritize your making?  Help a girl out.

An incentive: talk to me about your creative blocks and what you do to get around them. On Sunday night, I will choose one commenter at random to receive a custom bundle of goods from my stash. I had a ton of fun doing this for Gina, who won my last giveaway. That's her stack above. The winner's will be different, made just for them, by me.

I was lucky enough to be one of Rae's testers for her newest pattern, Josephine. I love this pattern! I practically begged her (not exaggerating here) to let me test it because I wanted to sew it so much and I was not disappointed at all. In fact, I made two (!) Josephines - a blouse and a dress.

First up is the blouse. I made a size L, and because Rae is brilliant, there is one pattern piece for A/B cups and one for C/D. I am in the C/D camp and love that I did not have to make bust adjustments. Win! This fabric is a Denyse Schmidt voile that I had in my stash and it worked really well. There is an elastic casing in the back for a more fitted look. I made two adjustments: the first was to add a little length for my long torso; the second was finish the neck with the bias tape sewn to the inside of the blouse instead of over the edge. Little things, really. (I should have ironed this first - another little thing!)

And now for the dress. The Josephine pattern comes with a blouse length and tunic length, but I really wanted a dress so I made one.

For this one, I chose to use an Anna Maria Horner rayon challis. This fabric is dreamy! And a little slippery, truth be told. I took my time and it came together wonderfully, though. To make the tunic into a dress, I lengthened it in two places - at the narrowest part of the torso and at the hem. I chose to do it this way because I was sure that if I only lengthened it at the hem, the proportion would be off - that long torso of mine, you know. It was easy to do. I chose the narrowest part of the torso and sliced the pattern, added 2" and blended the side seam line. I also added 3" at the hem, again blending the side seam. And bingo! A dress!

As always, Rae's patterns are a joy to sew. They are well put together and straight-forward. She includes a wonderful seam finishing guide and extensive instructions. I loved making my Josephines and plan to make another, sleeveless one as soon as the weather warms up.